Genre: horror/psychological thriller. Length: 60 minutes
Location: Farmhouse/present day
I’ve written a first draft for a concept I’d had for a 60 minute play that is just one sustained conversation between 2-3 characters in a single location. Originally I wanted it to be about two people, an abducter and abductee, just having a conversation, relying purely on dialogue and subtle shifts, without it being immediately apparent that one was actually the prisoner.
I haven’t really succeeded in making it a battle of wits, as I’ve relied on a few horror movie cliches and made the characters less intelligent than I wanted, so it’s become more a ‘battle of the dimwits’. I tried to make it as realistic as possible, avoiding repetition or including too much sex and violence; however it does contain some sex and violence inspired by Lars Von Triers’ ‘Antichrist’ and Sarah Kane’s work.
After some research, I’d discovered the Greek myth of Tiresias, an oracle who appears in Homer’s The Odyssey, Sophocles’ Oedipus Rex and Euripides’ The Bacchae, in which different texts describe his encounter with the gods. In one story he stumbles across two snakes mating, which he kills, and then punished by Hera (The Goddess of women and marriage) by being transformed into a woman for seven years. In another, he is blinded by Athena (The Goddess of wisdom, craft and war) for spying on her bathing, and in a similar story he is blinded by Hera following an argument about men and sex with the God Zeus.
In this sense, I find Amy’s actions to seduce and deceive the two men interesting, in that she has an opportunity to use the scissors to castrate Jack, but chooses to pleasure him instead, showing him as weak and childlike. Ironically in the climax, he is humiliated and oblivious to the knowledge that Amy has taken control and the threat defeated. Her ability to manipulate the men and hide her weapons, which ultimately prove as lethal as her sexuality, reminds me of Athena, especially since she blinds Terry to immasculate him. An interesting coincidence was the name ‘Terry’, which resembles ‘Tiresias’, and also in a general sense relating to the structure, Amy and the audience possess a knowledge (the hidden knife) and power (sex, kindness) which Terry and Jack do not. Furthermore, in the horror genre itself, the female protagonist (Neve Campbell Scream, Jamie Lee Curtis Halloween and Jodie Foster Silence of the Lambs) is destined to overcome an omnipresent and metaphorical villian, an Oedipal symbol of childhood trauma, which is about confronting fear, and which the audience is expecting her to do, and which inevitably causes the male character’s masculinity to be doomed in the story.
Synopsis ‘She is the girl’:
A young woman called Amy is held prisoner in a room where she is shackled with a chain to a bedframe. She awakens when one of her captors, Jack, enters the room. He thinks he’s in love with Amy and has brought her a dress he’d been told to give her by his older brother Terry.
Jack discusses his shopping trip to Tescos, and Amy tries to convince him that they should get married and run away together, but which he says isn’t safe. He persuades her to try on the dress, and they have an argument after he tries to touch her. Then Amy asks for a foot massage and for some scissors to remove the label.
Jack agrees to get the scissors if she will kiss him. While Jack is gone, Amy hides a knife that he had forgotten about. She seduces him just as Terry arrived home from work, but they manage to get dressed before he finds them in bed. Terry is suspicious and humiliates Jack, then tells him to make some tea. Terry sits down as Amy listens to him talk about his job at the garage.
When Jack returns with the tea, Terry beats him when he interrupts their conversation in which Terry explains why he can’t let Amy go. Terry pushes Jack out the door and continues flirting with Amy. Amy invites him into bed where they start to have sex until she uses the knife she hid to blind Terry. Terry crawls across the floor calling for Jack, who opens the door and panics when he sees Terry.
Amy tells him to bring her a phone so she can call an ambulance, which he does, and then sends him away to get bandages before calling the police. Jack returns and believes her when she tells him the ambulance is coming. He tells her not to say anything about the kidnapping before they both relax to watch Terry whimpering in pain.
Terry Snead (38). Terry lives in a farmhouse with his brother. He works at a garage, but has a criminal record and served time in prison for assault and sexual assault. He grew up in poverty, spent time in the woods hunting, and avoiding his alcoholic father. He was sent to juvenile detention at 16 and then later discharged from the army for insubordination. He volunteered with several charities, and is where he met and abducted several women including Amy Stevens.
Jack Snead (22). Jack is diagnosed with Asperger syndrome and spends his time cleaning the house and watching the women who Terry keeps locked in the spare room. Terry inherited the house and became Jack’s legal guardian once their parents died. He struggles to make friends but enjoys football and attends a community centre where he plays board games. He suffers from social anxiety and an obsessive-compulsive disorder.
Amy Stevens (27). Amy had worked for several charities as an Assistant Manager and fundraiser. She is independent and lives alone, but enjoys her single social life. She studied art and psychology at college, but dropped out of University. She has her own online business designing and restoring antique furniture.
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Download script PDF here: